Contributions from the String Teaching World
Josef Gingold was born in 1909 in Brest-Litovsk, Poland. The sixth and youngest child in his family, he learned to play the violin at an early age. In May 1920, with his family, he immigrated to New York where he began studies with Vladimir Graffman. Gingold credited Graffman with "opening his mind" to the potential of the violin.
In 1927, a year after his debut at New York City's Aeolian Center, Gingold and his mother set sail for Europe. Gingold arrived in Brussels in May, where he began studies with the Belgian master and virtuoso Eugene Ysaÿe. Gingold once said of his return to the United States in 1929 that he not only returned a better musician but a better man--having learned from Ysaÿe the importance of striving for beauty in both music and in personal relations. "Never was the violin treated brutally," Gingold said.
In the 1930s, Gingold played in the orchestras of three Jerome Kern musicals, and one each of Rogers and Hart and Cole Porter, as a struggling musician in Depression-era America. In 1937, he auditioned for Arturo Toscanini and won a spot in the NBC Symphony Orchestra.
After seven years with the legendary conductor, Gingold was offered the position of Concertmaster and occasional soloist with the Detroit Symphony Orchestra. He remained with the Detroit Symphony until 1947, when George Szell asked him to accept the position of concertmaster with the Cleveland Orchestra. Gingold later said that Szell had the greatest influence on him as a musician and teacher.
It was during this time that Gingold developed his reputation as an accomplished teacher and performer at Case Western Reserve University, The Cleveland Music School Settlement, and numerous other schools across the country. He was Concertmaster of the June Music Festival in New Mexico for twenty-five years and headed the Chamber Music Series at the Meadowmount School of Music in New York state for thirty summers.
Gingold remained with the Cleveland Orchestra until 1960, when he joined the music faculty at Indiana University and was later named Distinguished Professor. He compiled and edited Orchestral Excerpts consisting of 300 works in the symphonic repertoire, published by the International Music Company of New York. The three-volume work is a standard text used by students and symphonists worldwide.
Professor Gingold represented the United States on the juries of all major international competitions including the Queen Elisabeth, Wieniawski, Paganini, Sibelius, Nielson, Naumberg, Leventritt, and Tchaikovsky.
In 1982, Gingold founded the International Violin Competition of Indianapolis, established its repertory, chose the jurors, and shaped its protocol--setting the standard for future competitions worldwide. In 1994, Professor Gingold stepped down as President of the Jury by bestowing the honor on his student, friend and colleague, Jaime Laredo.
Some of the numerous honors Gingold received during his lifetime include the American String Teachers Association Teacher of the Year; the Fredrick Bachman Lieber Award for Distinguished Teaching at Indiana University; the Chamber Music America National Service Award; Baylor University's Robert Foster Cherry Award for Great Teachers; and the American Symphony Orchestra League's Golden Baton Award.
Josef Gingold died in January 1995 in Bloomington, Indiana.
Tadeusz Wronski was professor of violin and founder of the Institute of Pedagogy of Music at the Frederic Chopin Academy of Music in Warsaw from 1949-85. He was also professor of violin at Indiana University from 1965-86. He is the author of many books on music and methods of teaching the violin which include: The Problems of Violin Teaching, Talented and Untalented Students, and The Magic of Life. He was on the jury of many international violin and chamber music competitions. Mr. Wronski was an honorary member of the Japanese String Teachers Association. He passed away in 2000.
From Mimi: I am indebted to Mr. Wronski for giving me the information to organize my system of rehabilitation through Kreutzer Etudes. In addition, his ability to know how the violin works for each individual was insightful and uncanny which gave him the ability to give the appropriate information at the right time to each student.
Jerry Horner was the violist of the Fine Arts Quartet for eighteen years and professor of viola at the University of Wisconsin-Milwaukee. Previous to this, he was the violist of the Vermeer Quartet and principle violist of the Pittsburgh Symphony and Dallas Symphony. He has performed as a soloist and and chamber recitalist throughout the world. Currently, he is coaching chamber music in the United States, Europe and Mexico.
Indiana University String Academy Faculty
For more information: http://www.music.indiana.edu/special_programs/sa/faculty.shtml